Recently I was asked by a colleague to talk to his graduate class in physical education. He invited me because he had read some of my work—on being an athlete, on gender and body issues—but mostly, I suspect, because I was around and available.
They were a lively group of students, and we chatted for an hour, discussing topics we were all interested in. They asked smart questions.
When we were wrapping up, I asked them a question: "What is your relationship to reading and writing?" At that moment, they morphed from T-shirt-clad physical specimens and became generic graduate students, indistinguishable from all-in-black, cigarette-smoking studiers of literary theory and bearded-and-geeky future scientists. It's all we do, they wailed, and it's hard.
Writing Process Illustration CareersWhat's hard?
The journal articles he makes us read (they said, directing accusing fingers at my colleague) are dense and boring. We're getting good information, but it can be painful. And, they said, we have to learn to write like that.
No, I said, you don't.
I've heard that song from graduate students in every
Brian Taylor
discipline, and from faculty members, junior and senior, at universities across the country. The message: You have to write the same way as others in your field. You must use multisyllabic words, complex phrasing, and sentences that go on for days, because that's how you show you're smart. If you're too clear, if your sentences are too simple, your peers won't take you seriously.
Many people—publishers of scholarly work, editors at higher-education publications, agents looking for academic authors capable of writing trade books—who think about the general quality of scholarly prose would admit that we're in a sorry state, and most would say there isn't much to do about it.
But George Orwell did something about it. In 1946 he wrote "Politics and the English Language," an essay that explains the connections between bad writing and bad thinking as well as the political consequences: "Modern [insert the word "academic" here] English, especially written English, is full of bad habits which spread by imitation and which can be avoided if one is willing to take the necessary trouble. If one gets rid of these habits one can think more clearly, and to think clearly is a necessary first step toward political regeneration: so that the fight against bad English is not frivolous and is not the exclusive concern of professional [or scholarly] writers."
By writing prose that is nearly unintelligible not just to the general public, but also to graduate students and fellow academics in your discipline, you are not doing the work of advancing knowledge. And, honestly, you don't really sound smart. I understand that there are ideas that are so difficult that their expression must be complex and dense. But I can tell you, after years of rejecting manuscripts submitted to university presses, most people's ideas aren't that brilliant.
Call me simple-minded, call me anti-intellectual, but I believe that most poor scholarly writing is a result of bad habits, of learning tricks of the academic trade as a way to try to fit in. And it's a result of lazy thinking. Most of us know that we may not be writing as well as we could, or should. Many academics have told me that they suspect they are bad writers but don't know how to get better. They are often desperate for help. I tell them to reread Strunk and White, and to take a look at "Politics and the English Language." Yeah, yeah, they say, and get buried working toward the next submission deadline, prepping for the next class.
But this is not to be taken lightly.
I'm going to provide a gloss on Orwell's essay, in the hope that it will encourage a few wannabe-better writers to read it themselves. (You can find the original in seven seconds of Googling.)
Or you can click here.
To read the rest of the article, including Professor Toor's gloss of Orwell's essay, click here.